主题:PASS —— 资本的过滤与剩余
Theme: PASS — Capital’s Filtration & Remnants
01 策展背景 / Curatorial Statement
资本的权力不仅在于“给予”,更在于“拒绝”。在全球风险投资的语境下,每一个“PASS”背后都隐藏着一套关于身份、阶级、文化与逻辑的筛选机制。 本次展览《PASS》旨在探讨:当资本挥动权杖,那些被过滤掉的“非标准化”生命力去向了何处?
Capital’s power lies not just in “granting,” but in “denying.” In the global VC landscape, every “PASS” reflects a hidden mechanism of filtration—identity, class, culture, and logic. PASS explores a pivotal question: When capital wields its scepter of rejection, where do the filtered, “non-standardized” vitalities go?
02 招募对象 / Who We Are Looking For
我们正在寻找敢于挑战“资本逻辑”的艺术家、设计师、创意人。 无论你研究的是算法偏见、社会标签、失败学、还是非生产性的美学,我们都邀请你提交作品。
We are seeking artists, designers, and creators who dare to challenge the “Logic of Capital.” Whether your research involves algorithmic bias, social labeling, the study of failure, or non-productive aesthetics, we invite your contribution.
03 征集类别 / Categories
- 数字艺术 (Digital Art): 影像、动画、交互网页。
- 视觉传达 (Graphic/Visuals): 实验海报、数据可视化、排版设计。
- 观念作品 (Conceptual Work): 基于“拒绝信/PASS语录”的再创作。
- 新媒体 (New Media): 生成式艺术(AI Art)、声音装置。
04 参展优势 / Why Join Us?
- 长期数字展厅: 作品将永久收录于《PASS》全球线上艺术项目。
- 跨界叙事: 你的作品将与金融圈真实的拒绝语录产生对话。
- AI 联合策展: 体验由人类与 AI 共同驱动的策展新模式。
- Permanent Digital Archive: Featured in the long-term PASS global online project.
- Cross-border Narrative: Dialogue between your art and real-world VC rejection tropes.
- AI Co-curation: Engage with a new curatorial model driven by Human & AI .
05 如何提交 / How to Submit
请将你的作品集或作品提案发送至:[邮箱dongkoh@qq.com] 邮件主题请注明:[PASS Open Call] – 姓名 – 作品名
Please send your portfolio or project proposal to: [dongkoh@qq.com] Subject Line: [PASS Open Call] – Name – Project Title
✍️ 策展人寄语 / Curators’ Note
“在这个过度追求效率的时代,我们决定为‘被拒绝者’策展。” “In an age of hyper-efficiency, we curate for the rejected.”
Curators: [TANXIAOZHENG] × Gemini (AI)
版权与权益 / Copyright & Rights
- 中文: 本项目尊重并保护原创。参展作品的版权归艺术家本人所有。展览方仅拥有作品的传播权、互联网展示权及相关宣传使用权(用于本项目相关的线上展厅、社交媒体推广及学术存档)。
- English: The project respects and protects originality. Full copyright of the submitted works remains with the artist. The organizers (Curators) are granted only the rights of communication and online exhibition, including the right to display and promote the works on the project’s digital platforms, social media, and academic archives.
