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The first live review of “Zhao 3 Mu 4”: four artists’ thought resonance and circle-breaking exploration

2025 年 5 月 11 日

By Art Promoter Tan Xiaozheng On May 10th, at 8pm, a li…
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From Street Artist to IP Creator: A-Jin’s Unconventional Journey

2025 年 3 月 3 日

“Rather Than Stability, I Want the Freedom to Bre…
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From Data Analyst to Ink Artist: Wan Xianjing’s ‘Wild Grass’ by the Sewage Ditch

2025 年 2 月 22 日

Introduction:At 34, Wan Xianjing resigned from a state-…
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Dongkoh’s New IP: Dougua the Piggy and Puppy

2025 年 2 月 18 日

For our first attempt at AI-assisted creation, we have …
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15 Years of Symbiosis between Dongkoh and Chengdu’s Animation Ecosystem

2025 年 2 月 14 日

On the evening of February 13, 2025, at 7:00 PM, the bo…
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Fan Echoes: When We Hold on to Black Rabbit Pink Pig, We Are Actually Embracing Our Own Scars

2025 年 1 月 14 日

— Real Letters and Comments from Fans (Compiled and for…
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